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Functional grounding inside the phonology: Evidence from positional augmentation
phonology Functional grounding Evidence
2014/4/25
Positional augmentation constraints (markedness constraints on
prominent positions) are restricted by functional factors
The functional restrictions on these constraints cannot all be reanalyzed
a...
Facial Expression and Vocal Pitch Height: Evidence of an Intermodal Association
pitch height facial expression aggression intermodal perception
2010/9/26
Forty-four participants were asked to sing moderate, high, and low
pitches while their faces were photographed. In a two-alternative forced choice task,
independent judges selected the high-pitch fa...
Can Music Therapists Synergise With Medical Practitioners to Make Music Therapy Evidence-based?
Music Therapists Music Therapy Evidence-based? Medical Practitioners
2008/11/6
In July Voices published Sumathy Sundar's first interview, the results of her discussion with Dr Sairam, a specialist in alternative medicine and a researcher into the therapeutic use of Indian ragas....
Chromaticisms or Performance Rules?Evidence from Traditional Singing
Chromaticisms performance rules traditional singing
2008/10/30
Background in ethnomusicology. Chromaticisms in folk tunes are quite frequently discussed
in ethnomusicological studies, especially in Eastern Europe. For instance, chromaticisms are
abundant in the...
A Comparison of Average Pitch Height and Interval Size in Major- and Minor-key Themes: Evidence Consistent with Affect-related Pitch Prosody
music minor key sadness pitch speech prosody
2010/9/26
An analysis of 9,788 instrumental themes shows that minor-key themes are, on average, slightly lower in pitch than major-key themes. The lower pitch is not merely an artifact of structural differences...
A Cognitive Approach to Medieval Mode: Evidence for an Historical Antecedent to the Major/Minor System
mode chant tonality cluster analysis multidimensional scaling
2010/9/26
A random sample of 98 Gregorian chants was used to assemble “mode
profiles”—pitch-class distributions for each of eight medieval modes in the manner of
Krumhansl’s and Kessler’s (1982) key profiles....